Sunday, March 31, 2019

Fine Comedic Performances Lift “Gary,” But Perhaps Not High Enough

randy kender (‪@randykender‬)

There is much to admire about Taylor Mac's  "Gary, A Sequel To Titus Andronicus " including 3 fine comedic performances (from Nathan Lane, Kirstin Nielsen & Julie White) and some sharp social commentary, but I am not sure the play ultimately succeeds.  Personally, as I am not a fan of low humor, I preferred the social commentary more than the humor, but I suspect for most folks it will be the other way around.

Saturday, March 30, 2019

A Diminished “Hadestown” On Broadway

KenderTheater (‪@KenderTheater‬)

"Hadestown" which has made its way to Broadway is a pale imitation of the initial staging of the show I saw and loved at New York Theater Workshop- it is too busy, the new chorus is distracting and the two young leads lack charisma, connection and adequate acting skills. But #AmberGray is still the best part of the show, the score is still great, there is one great staged number ("Wait For Me") and the beautiful ending is artfully restrained unlike most of the rest of the show. 

“Lehman Trilogy” Is A Thrilling Tale

KenderTheater (‪@KenderTheater‬)

The production design, direction and acting trio in "The Lehman Trilogy" is simply breathtaking. What director Sam Mendes is able to conjure up with his design team and three stellar actors is a tribute to what exciting theatrical storytelling can be.

Friday, March 29, 2019

Glenda Jackson’s “Lear” Triumphs

KenderTheater (‪@KenderTheater‬)

Glenda Jackson is an astoundingly great Lear in Sam Gold's audacious & inventive "King Lear" which features many other fine performances that make the production feel simultaneously current and timeless.  Worth special mention beyond Ms. Jackson are Ruth Wilson's Cordelia/Fool (a brilliant directorial choice to have her play both), John Douglas Thompson's protective Kent, Jayne Houdyshell's loyal Gloucester, Sean Carvajal's honorable Edgar and Pedro Pascal's slickly scheming Edmund.    While period purists may take issue with this production, Mr. Gold's production is refreshingly diverse, inclusive and teeming with life.  

Wednesday, March 27, 2019

A Stellar “Juno”

KenderTheater (‪@KenderTheater‬)

‪@IrishRep‬ revival of "Juno And The Paycock" is stellar, and features a devastatingly great performance by Maryann Plunkett as Juno. The juxtaposition of humor in Act 1 and pain in Act 2 is masterful.

Tuesday, March 26, 2019

“Hillary” Is A Misfire

KenderTheater (‪@KenderTheater‬)

Laurie Metcalf & John Lithgow are outstanding actors, but they deserve much better than the pedestrian & unilluminating "Hillary And Clinton" - a rare misfire from fine playwright Lucas Hnath whose prior plays I have greatly admired.   I am mystified as to why this play is being mounted on Broadway, and I wish I could have my 90 minutes back.

Sunday, March 03, 2019

“The Light” Is Gripping Theater

KenderTheater (‪@KenderTheater‬)

3/3/19, 9:55 PM

Loy A. Webb's new play "The Light" ‪@mcctheater‬ is a terrific, timely and important play given a great production that features excellent acting, and expert direction/staging.   MCC fittingly inaugurates its beautiful smaller theater with this fine work. Highly recommended.

“Merrily” Misfires

KenderTheater (‪@KenderTheater‬)

3/3/19, 6:27 PM

Sorry to report that Fiasco Theater's revival of Stephen Sondheim's "Merrily We Roll Along" at Roundabout Theatre is a misconceived revival with acting that is too forced and singing that ranges from middling to painfully bad.    I have seen many productions of this show, but this was the worst I have seen to date.  The cuts to the show here eliminate the necessary emotion I have felt in other productions of this less than perfect show that is graced with a beautiful score.

“Daddy” Doesn’t Work

KenderTheater (‪@KenderTheater‬)

3/3/19, 11:48 AM

The New Group and Vineyard Theatre's new co-produced off-Broadway Jeremy O. Harris play "Daddy" raises some intriguing issues, but it fails to address them in a convincing way. The physical production is great, but the inconsistent acting and writing drag this way too long 3 hour play down.  On the bright side, actress Charlayne Woodard as the lead character's mother is great, as usual.

Saturday, March 02, 2019

Quincy Tyler Bernstein Commands The Stage In “Marys Seacole”

KenderTheater (‪@KenderTheater‬)

Actress Quincy Tyler Bernstine in #MarysSeacole ‪@LCTheater‬ #LCT3 proves once again that she is a force of nature who commands the stage. The play tells a historical story in a structurally creative way that engages and probative.

A Flashier “Choir Boy” On Broadway

KenderTheater (‪@KenderTheater‬)

3/2/19, 1:48 PM

Terrell Alvin McCraney's #ChoirBoyMTC ‪@MTC_NYC‬ on Broadway is much flashier & more populated/ choreographed than its more focused off-Broadway premiere. It makes the play louder and more entertaining, but detracts from the play's serious themes.