![]() | KenderTheater (@KenderTheater) |
|
Broadway mounting of "Natasha, Pierre & The Great Comet of 1812" is terrifically entertaining, with stunning staging and design elements in an entirely transformed Imperial Theater. The show is greatly improved over prior Off-Broadway incarnations of the show. The underlying work borders on mediocre, but is greatly enhanced by the outstanding physical production elements. Josh Groban is surprisingly good in his Broadway debut, although his powerful singing is more notable than his somewhat limited acting range.
| |
Blog posts and @kendertheater Twitter feed on theater in NYC & beyond, plus current Movie, TV & Book recommendations
Sunday, November 13, 2016
Fantastic Staging & Design Propels "Great Comet"
Great Acting Elevates "Master Harold"
![]() | KenderTheater (@KenderTheater) |
|
An astoundingly great performance by Leon Addison Brown elevates @SignatureTheatr fine revival of Atol Fugard's apartheid era South African play "Master Harold & The Boys."
| |
Tuesday, October 18, 2016
Anna Deavere Smith's Excellent "Notes From The Field"
KenderTheater (@KenderTheater)
Sunday, October 16, 2016
A Disappointing "Falsettos" Revival
KenderTheater (@KenderTheater)
The new Broadway revival of the seminal musical "Falsettos" is a rather tepid, poorly cast production that pales in comparison to prior incarnation of this work that I have seen. The set is distracting, the direction surprisingly unfocused, and left me more frustrated than moved.
"The Harvest" is Another Fine Play From Samuel D. Hunter
KenderTheater (@KenderTheater)
Lincoln Center's LCT3's "TheHarvest" is a terrific new play by the supremely talented Samuel D. Hunter. It probes complex issues about faith and loss in moving and unexpected ways, and features complex, interesting and believable characters.
Thursday, October 13, 2016
Rachel Weisz Mesmerizes in "Plenty"
![]() | KenderTheater (@KenderTheater) |
The revival of David Hare's late 1970s play "Plenty" @PublicTheaterNY is an Intelligent, engrossing and psychologically astute exploration of Europe post-World War II. It features a mesmerizing lead performance by Rachel Weisz who gives her all to this very difficult role. | |
Download the Twitter app
Monday, October 10, 2016
"Vietgone" is Fresh & Fun
![]() | KenderTheater (@KenderTheater) |
"Vietgone" at Manhattan Theater Club's Stage 1 at NY City Center is funny, fresh & highly entertaining. The show's emotional pay off sneaks up on you in a charming way. This is a wonderfully surprising & engaging new play. | |
Download the Twitter app
Sunday, September 25, 2016
"What Did You Expect" Delivers
KenderTheater (@KenderTheater)
I thoroughly enjoyed spending another evening immersed in electoral angst with the Gabriels in part 2 of Richard Nelson's real time election year trilogy #WhatDidYouExpect @PublicTheaterNY.
"Aubergine" Disappoints
KenderTheater (@KenderTheater)
I usually like Julia Cho's writing, but something about the unfocused nature and uneven acting of "Aubergine" at Playwrights Horizons just did not work for me.
Saturday, September 24, 2016
Amy Ryan Shines in "Love, Love, Love"
KenderTheater (@KenderTheater)
Friday, September 23, 2016
"Marie And Rosetta" Raise the Roof of the Atlantic Theater
KenderTheater (@KenderTheater)
"The Wolves" is a Winner
KenderTheater (@KenderTheater)
Playwright Sarah Delappe's "The Wolves " @RealmTheatre is an outstanding look at teen female group dynamics, done in a unique and non-stereotypical way. It features great writing, acting, direction, and top notch production values. Kudos to this Ms. Relapse and the Realm Theatre for mounting a great play featuring 10 interesting, complex young female characters. This play deserves a life well beyond this limited run.
Thursday, September 22, 2016
"Caught" Is More Gimmick Than Drama
KenderTheater (@KenderTheater)
Wednesday, September 21, 2016
Foote's "Roads To Home" is Beautifully Rendered
KenderTheater (@KenderTheater)
Horton Foote's "The Roads To Home" @primarystages is a finely cast & beautifully rendered revival of this poignant, quiet play. It enables one to see Foote as a Chekhovian chronicler of the 20th Century American South.
Roundabout's "Cherry Orchard" Is A Misfire
KenderTheater (@KenderTheater)
Roundabout Theater's new Stephan Karam's wobbly adaptation of Chekov's "The Cherry Orchard" is misconceived, messy and tonally bizaare. A major disappointment given the well credited cast that never seem to be in the same play together.
