Sunday, June 19, 2016

SUMMER 2016 NEW YORK THEATER RECOMMENDATIONS

The past year in theater was an especially strong one both on and off Broadway, and a number of the past year's best shows are still running in New York this summer.  If you find yourself in the Big Apple looking for a show to see this summer, I offer the below recommendations, most of which you likely can buy tickets for on short notice.  Of course, the one exception to likely ticket availability is the groundbreaking monster hit "Hamilton," which is near impossible to see unless you  (1) know someone with a close connection to the show, (2) have thousands of dollars to burn on a resold ticket or (3) win the lottery- literally- as in the daily ticket lottery held for the show.

Yes, "Hamilton" is  all that it has been hyped to be, but assuming you do not luck into a ticket to Hamilton,"there are other great shows to see now playing in New York for which you will not have to mortgage your house.

If musicals are your thing, there are three shows that started this past year that I would recommend.   The Broadway revival of "The Color Purple" is a fantastic production with a dream cast led by the astonishing Cynthia Erivo that pares the source material to its essence and delivers it with deep emotion and grace.  Even if you saw the somewhat problematic Broadway debut of this musical a few years ago and think that you do not need to see this show again, I urge you to think again and book a ticket to this don't miss production directed by John Doyle.

If old style musicals are your things, you cannot go wrong with a visit to "She Loves Me" being presented by Roundabout Theater at Studio 54.  Like "The Color Purple" a great cast has been assembled for this terrific revival of a solid show that features a timelessly romantic book and beautiful score.  If you cannot make it to New York before this show closes on July 10, you can catch the first live streaming of a Broadway show on June 30 when "She Loves Me" is streamed via the BroadwayHD web site.

Off-broadway, there is a fine new musical entitled "Hadestown" running at New York Theater Workshop in the East Village.   A folk/ New Orleans jazz infused musical take on the Orpheus and Eurydice myth, this uniquely staged show is beautifully conceived and performed.    The show was virtually sold old, but has now been extended until July 31, and tickets should still be available for the extension if you act fast.

If you are looking for a great play to see, I have two strong recommendations, one on Broadway and on off.  The 2016 Tony Award winner for best play "The Humans" is an piercing exploration of family dynamics in our current age of economic uncertainty and wealth disparity.  The cast and direction are pitch-perfect, and the writing is both emotionally resonant and deeply moving.   The subtle undercurrents expertly mined by the cast make this a play that is much deeper upon reflection than it may appear on the surface.  This is one of the finest new American plays in years.

Off broadway, the Bedlam Theater adaptation of Jane Austen's "Sense & Sensibility" at the Judson Gym near Washington Park is a creative, clever and entertaining take on the classic novel.  This production is faithful to the spirit of its source novel, yet feels fresh and contemporary.  It is a great deal of witty fun that would be a perfect respite from any summer malaise you you may be experiencing.

Finally, although both are now closed, I hope that two other outstanding plays I saw in New York in recent months find their way back to the city in some form.  The first was Dominque Morisseau's "Skeleton Crew" which recently closed at the Atlantic Theater.  "Skeleton Crew" is a funny and moving look at workers facing displacement in the auto industry in Detroit, circa 2008.  The second was "Familiar" by Danai Gurira, which was presented as part of last season at Playwright's Horizons.  "Familiar"  is very well written look at family clashes centering on a professional African immigrants to the US living in Minnesota, who are visited by the relatives from the motherland.  If either of these plays make their way back to NY, and both deserve to do so, you are well advised not to miss either of them.

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